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سیر تـــحول انـــدیشه بیژن نعمتی شـــریف در عـــروسک‌هـــا، نـــقاشی‌هـــا و مـــجسمه‌هـــایش از او هـــنرمـــندی می‌سازد بـــا بیان شخصی مســـتقل و میان گـــونـــه‌هـــای بـــرخـــوردش پـــارادایمی شکل می‌گیرد که از ارتباطی همگن برخوردار است
بیژن نعمتی شـریف از اولین مـجسمه سـازان مـعاصـر و مـدرن ایرانی بـود که رنـگ را بـه مـجسمه‌هـایش افـزود. در عـرصـه گسـترش یافـته مـجسمه امـروزی وی کار مـاده جـدید و مـنحصر بـفردی را بکار گــرفــت تــا بــه ســهولــت و روانی تــبدیل انــدیشه بــر اجــرا تــاکید ورزد و بــا این کار او خــود را از تـعریف مـصنوعی مـدرنیستی رهـا کرد. مـجسمه‌هـای وی مـرز رسـانـه را می‌شکند، بـا رنـگ‌هـای تـند پـالـت تـرکیب می‌شـود و بـا صـحنه آرایی عـروسک‌هـایش پیونـد بـرقـرار می‌کند و بـا این کار آنـ‌ها را در فـضای بینامتنی از مـجسمه و صـحنه‌ای نـمایشی در تعلیق می‌گـذارد. وی بـا بهـره گیری از تــرکیب مــدیا و نــگره‌هــای امــروزی ، تفکر نــاب گــرا را بــه چــالــش می‌کشد و در آثــارش بــه دنــبال گســـترش مـــدیا، مـــفهوم و مـــخاطـــب اســـت. نعمتی شـــریف از جـــمله هـــنرمـــندانی اســـت که محــدودیت رســانــه، مــتریال و تــرکیببــندی صــرفــا عــمودی را از آثــارش زدوده اســت. وی بــا بهــره گیری از رویکرد دیکانسـتراکشن بـا دیفرمـاسیون عـناصـر و تلفیق مجـددشـان فـضایی غیر واقعی می‌سـازد و بـا حـذف شخصیت پـردازی بـه تـوسـعه گسـتره‌شـان تـوفیق می‌یابـد. نعمتی شـریف بـا حـذف پـایه سعی دارد مـجسمه‌هـایش را از شی وارگی ایده آلیستی دور کند و وجـوه اقـتدارگـرا و سـتایش آمیز را از آن‌ها بـرهـانـد. این آثـار بـا بهـره گیری از مـولـفه‌هـای پسـت مـدرنیستی- طـنز، تکثر و تمثیل وجـهه‌ای مـعاصـر می‌یابـند. گـزینش عـناصـر یعنی همنشینی انـسان و حیوان و اشیا و چینش غیر مـــتعارفـــشان اتـــــمسفری غـــــریب واره می‌آفـــــریند که بســـــتر ذهنی او را از ســـــایر مــعاصــرینش مــتفاوت می‌کند. نعمتی شــریف دنیای رویای کودکانــه رنگین و بــازیگوشــانــه‌ای را ترسیم می‌کند تا خاکستری اطرافمان را به فراموشی بسپاریم ترسیم می‌کند تا خاکستری اطرافمان را به فراموشی بسپاریم
The evolution of Bijan Nemati Sharif's reflection in his puppets, paintings and sculptures makes him an artist with an independent personal expression. His type of approach, which has a homogeneous connection, formed a paradigm.
Bijan Nemati Sharif was one of the first contemporary and modern Iranian sculptors to add color to his sculptures. In the expanded arena of contemporary sculpture, he used new and unique material to emphasize the ease and mentality of transforming thought into execution, thus freeing himself from modernism's artificial definition. His sculptures break the boundaries of materials, using a bright color palette and connecting with the staging of his puppets, thereby suspending them in the sculpture's intertextual space and theatrical scene. Using the combination of media and modern views, he challenges pure thinking and seeks to expand the media, concept, and audience in his works. Nemati Sharif is one of the artists who has removed the limitations of media, materials and vertical composition from his works. Using the deconstruction approach, he creates an unreal space by deforming the elements reassembling them, and expanding their scope by eliminating characterization. By removing the base, Nemati Sharif tries to pull his sculptures from the idealistic objectivity and remove the authoritarian and praiseworthy aspects. These works find a new aspect by using postmodernist elements - humor, pluralism and allegory.
The choice of elements, that is, the combination of man and animal and objects, and their unconventional arrangement, create a strange atmosphere that distinguishes his mental context from that of his contemporaries. Nemati Sharif depicts the world of a colorful and playful
childhood dream to forget the gray around us.
نمایشگاه رونمایی از آخرین مجسمه های " بیژن نعمتی شریف" آذر و دی 1399 گالری شیرین
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Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.
