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Homa Art Gallery Feb 2015 Bahareh Babaei Painting By Painting 02
Tehran

سری نقاشی از نقاشی 

 چه چیزی در نقاشی هست که ما را از آن دور یا به آن نزدیک می کند؟ لابد موضوع نقاشی یا مشترکاتی که ما میان نقاشی و خودمان پیدا می کنیم ! در این مقطع فکر می کنم با فرار از موضوع- در نقاشی - می شود به جنگ با سهل فهمی در نقاشی رفت ، حداقل این کلک برای من یک روش عملی ست برای دور شدن ازروایت سازی در کارم؛ اصلا تفاوت نقاشی با بعضی مدیوم های کاربردی همین مسئله ی موضوع نقاشی ست.جان بالدساری برای رسیدن به هنر به ناچار  دست از نقاشی برداشت من سعی میکنم برای نقاشی اجبارا از ورود هر ایده به کارم اجتناب کنم و فعلا این راهکار را تنها امکان نقاشی مفهومی می شناسم.

 چرا از روایت در کارم فرار می کنم ؟ چون قصه گویی درنقاشی ذاتا بسیار فریبنده و گول زننده است- اگر نقاش بحران "چه چیزی کشیدن" را فراموش کرده باشد- به ویژه اگر پرسش نقاش از نقاشی محدود به زبان مدیومی آن باشد. با این دید به دنبال محتوایی در نقاشی رفتم تا ناچیزترین روش روایی را در کارم به کار ببندم .اوایل راهکارهایی شبیه منظره سازی یا طبیعت بیجان به نظرم راهگشا بود اما بعد احساس کردم تناقض بنیادین قدرتمندی در نقاشی از حیوانات وجود دارد که در رسیدن به مقصودم از نقاشی بسیارسازنده خواهد بود.نقاشی از وحوش همان اندازه غیرروایی ست که مسبوق به سابقه؛ انگار تصویری میسازی بی ربط  از چیزی مرتبط با انسان و پیش موجود میان انسان با هنر. حالا هرچه میگذرد این نقاشی ها هویت مفهومی و مستقلی برای خودم پیدا می کنند ولی در نگاه بیننده حتما تصاویری به لحاظ محتوایی اخته و بی جذابیتند. این انفعال نقاشی نشانه ی خوبی ست، در واقع بیننده به منظور من از نقاشی نزدیک شده اگر با تامل کردن در تصویر آن، بدون درک قصه ای، احساسی مشخص به نقاشی پیدا کند.

بهار بابایی

Painting by Painting series | what is it in a painting which attracts us or repulses? It may be about the painting's subject. To me, escaping from the subject is such a trike which makes me far from a narrative, and this is what save my painting from banality. Actually I make an effort to reject any kind of idea going inside my work .I know this the available possibility of conceptual painting indeed as Baldessari do; to achieve art, he quitted painting inevitably. 

Why do I run away from narrative in my works? I know what the answer is; because narrative in painting is a seductive element totally. 

So I sought a kind of concepts and manners in painting which helped me not to be involved with narrative stuffs. It was painting landscapes and still lifes at firs but then I felt working on animals has such a great powerful paradox basically that is what I want! This is exactly like the Diana and Actaeonmyth that human turn into animal and vice versa. 

Bahareh Babaei

نمایشگاه آثار " بهار بابایی " با عنوان " نقاشی از نقاشی " بهمن 1393 گالری هما

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More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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